Luther: The Fallen Sun review: "Will appeal to die-hards and newbies alike" By Jamie Graham published 24 February 23 review
Creed 3 review: "Michael B. Jordan keeps the formula fresh" By Matt Maytum published 24 February 23 review
Cocaine Bear review: "Not as snort-out-loud funny as you'd hope" By Jamie Graham published 23 February 23 review
Ant-Man and the Wasp: Quantumania review: "A fun sci-fi getaway" By Kevin Harley published 14 February 23 review
Magic Mike's Last Dance: "A glossy but fluffy threequel" By Kate Stables published 7 February 23 review
Knock at the Cabin review: "Shyamalan doing what he does best" By James Mottram published 1 February 23 review
Puss in Boots: The Last Wish review: "The cat's pyjamas" By Kate Stables published 31 January 23 review
The Fabelmans review: "Spielberg's period drama evokes wonder" By Jamie Graham published 23 January 23 review
Glass Onion: A Knives Out Mystery review: "Almost as sharp as the first" By Jamie Graham published 21 December 22 Review
Babylon review: "Damien Chazelle's immersive vision of Hollywood's golden era" By Neil Smith published 16 December 22 review
Avatar: The Way of Water review: "An imposing, dazzling, supersized blockbuster" By Kevin Harley published 13 December 22 review
Strange World review: "Disney's latest is visually splendid but lacks dynamism" By James Mottram published 22 November 22 review
Aftersun review: "A blinding debut you won't forget in a hurry" By Matt Maytum published 18 November 22 Review
Disenchanted review: "A sequel that glitters but can't recapture the magic" By Jamie Graham published 18 November 22 review
Black Panther: Wakanda Forever review: "Rises to its toughest challenge with care" By Kevin Harley published 8 November 22 review
Black Adam review: "Dwayne Johnson's live-action DC bow is fast, fierce, and fuzzy" By Kevin Harley published 18 October 22 review
Halloween Ends review: "A fascinating if flawed finale" By Jamie Graham published 13 October 22 review
Matilda the Musical review: "A serviceable translation from stage to screen" By Neil Smith published 6 October 22 review
